Meeting Architecture II
Architecture and the Creative Process II (2014–15)
Programme of lectures and study-exhibitions
Please click on the links to the right to see press reviews and videos of past events.
Meeting Architecture, the British School at Rome’s programme curated by Marina Engel, will continue to analyse the relationship and cross-over between architecture and some of the other creative processes in a series of lectures and study exhibitions by leading figures in architecture , art and film.
Once again, Meeting Architecture will examine some of the convergences and the divergences between the disciplines in sources of inspiration, working methods and aims, and attempt to understand how the creative process of one calling can help to develop the practice of another: both themes are extremely relevant to the multi-disciplinary nature of the British School at Rome.
Architecture and art are two of the most closely entwined disciplines both historically and in a contemporary context, and this year we shall focus more closely on this association. Successful collaborations between the two disciplines are rare and in most cases artists are invited to decorate architects’ buildings; to quote the artist Richard Deacon: “I have worked with a lot of architects and I have a pretty healthy suspicion of them”. However, he refers to his work with the British architect Eric Parry as being completely different, and Deacon and Parry will, for the first time, present the work they have done together over the years and concentrate on how and why they have collaborated so successfully.
What are the boundaries between architecture and art? Architectural structures have been one of the concerns of the German artist, Thomas Schutte , who has been producing architectural models over many decades and has recently started to develop some of these into actual houses. The Italian artist, Alfredo Pirri, has worked on the border between art and architecture in numerous site-specific installations, and has also been involved in several projects with architects. The two will present their work and discuss their relationship to architecture.
Often overlooked is the relationship between architecture and scenography. And yet, a large number of scenographers have studied architecture including Sir Ken Adams, the designer of scenes in many James Bond films among others. One of the leading protagonists in this field, the Italian, Dante Ferretti, will discuss the architecture in his work and the creation of fictional worlds for many of cinema’s most memorable films.
Architectural historians Jean-Louis Cohen and Wouter Vanstiphout will develop the notion of the trans-disciplinary nature of architecture. Cohen will talk about creativity in British war time architecture , focussing on architecture and its connection to a number of disciplines ranging from art to science and sociology. Finally Vanstiphout will investigate the often neglected political role of architecture today in the light of its long association with state and corporate power.
We would very much like to thank our sponsors who have made this programme possible: Allford Hall Monaghan Morris, the Bryan Guinness Charitable Trust, the Cochemé Charitable Trust, the John S Cohen Foundation and Wilkinson Eyre.
Architecture Curator, British School at Rome
British School at Rome
In partnership with : Royal College of Art
In collaboration with : French Academy , Embassy of the Kingdom of the Netherlands,
With the support of : The Bryan Guinness Charitable Trust , The Cochemé Charitable Trust , The John S. Cohen Foundation , Allford Hall Monaghan Morris, Wilkinson Eyre
Media partners : Architectural Review, Domus, Exibart
Press Office : Chiara Valentini email@example.com
For further information and comments, please contact Marina Engel.